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Vox ac30cc2 schematic
Vox ac30cc2 schematic











  1. Vox ac30cc2 schematic full#
  2. Vox ac30cc2 schematic plus#
  3. Vox ac30cc2 schematic simulator#

While this will not initially cause a tube toįail or malfunction, over time it will reduceĪddition of a standby feature lets the tubes Solid-state rectifier is used, as they will generateīefore a typical vacuum tube can heat up. Rectifier with a directly heated cathode or a Tube reaches its operational temperature, a Prior to applying high voltage to its internal Operation of a tube, theoretically it should Player instant access to the amp’s performance On tube guitar amplifiers, not to give the Technician has given you some sound advice.Ī standby switch was included as a feature

vox ac30cc2 schematic

Vox ac30cc2 schematic plus#

Now what do I do with this Mesa 5:50 plus head, the Vox AC30CC2 and the Bogner Ecstasy Blue pedal? They won't be leaving my stable any time soon, but they are going to have to deal with being a bit quieter.Let’s take a look at why a standby switch It would have been nice to have a Stereo width adjustment, but then again, I'm just picking on small things.Įvery time I power the ADA up, I get a whole new world of tonal experiences that keep me wondering how this disappeared from the market. This makes for a really wide stereo image, but it also means that you get some signal cancellation.

Vox ac30cc2 schematic full#

The other complaint is that the chorus seems like it's a full 180 degrees out of phase from left to right. You can use a MIDI controller, but a knob on the front panel would be a nice inclusion that would make editing faster. Even though they accelerate when you hold them down, I wish it had an encoder knob. If there is any thing I don't like about the MP-2, It's this: Editing with the up/down buttons is a pain. It can hold it's own against Rectos, Soldanos and Diezels. And speaking of bullets - this thing has gain. Palm-muted staccato power chords leave your ears confused where the audible bullets are coming from. They require you to use the noise gate, especially if you have single coil pickups, but the gate works exceptionally well. The high-gain voicings have a bit of background noise. The clean and vintage voicings are unbelievably quiet, you can barely tell if the amp is turned on until you hit a string. The 10 tube preamp voices include 3 clean types, 3 vintage types and 4 high-gain types. With the slow tilt an expression pedal, it shifts into the tone of a Mesa Rectifier - with scooped mids, punchy bass and massive presence, no chorus and only a hint of that reverb mix.

  • MIDI in/out and thru - with a MIDI implementation that rivals most synthesizers.
  • Vox ac30cc2 schematic simulator#

  • Six outputs - one pair to your stereo power amp/speakers, the other two pairs have a 2x12 or 4x12 miked speaker simulator and are either a pair of TRS balanced 1/4" outputs or a balanced XLR pair.
  • 128 memory locations to save your settings.
  • Real Time MIDI - assign expression pedals or MIDI controllers to any number of parameters.
  • Parallel Stereo Effects loop with programmable mix levels per channel - Stereo effects!.
  • Tremolo, with a "surf" waveform, giving that vintage Fender/Marshall feel.
  • Wah - pedal controlled, oscillator or triggered (autowah).
  • Bass, treble, mid and presence passive EQ.
  • 10 tube voicing modes - from AC30 to tweed to Plexi to Boogie to SLO, it's all here.
  • Two 12AX7 tubes for everything from crisp cleans on the edge of breakup through Rectifier-sounding distortion.
  • While I remember some of the great manufacturers of that era - Randall Smith (Mesa/Boogie), Mike Soldano, Bogner (Fish Preamp), Bob Bradshaw, Rocktron, and effects processors from TC Electronics (2290), Eventide (H3000) and Lexicon (PCM90) - I almost forgot about ADA. Once upon a time, we married all the amazing automation and control of modern technology with the purity and warmth of what we valued in the original designs. Pedals that are re-hashed designs or simulations of innovations from the beginning of the rock era.

    vox ac30cc2 schematic

    Tube amps that are merely modern iterpretations of the amps of old. We've returned to an age of simplicity and antiquity. I almost forgot what it was like before guitarists and our manufacturers lost their minds. In order to manage all of the configurations, EQ and effects and make it usable in a performance situation, we embraced programmable switching, MIDI communications and modular packaging in rack mount form. We combined effects and equalization techniques to refine that sound, and even though digital simulations and modelling technologies held promise, we always returned back to an all analog signal path driven by tubes. We learned what didn't work and what did.

    vox ac30cc2 schematic

    With our pursuit of guitar tone, we perfected the use of vacuum tubes. And with senility, he forgets what he learned. Like a boy who grows to be a man, learns what he values in life, knows where not to step and what he values. Somewhere in time the guitar industry forgot who it was.













    Vox ac30cc2 schematic